刺殺布蘭格溫·斯珀奇

I was hooked from the first catapult launch—the way Spurge's stuffy elfin perspective collides with the goblin world is hilarious and tense at the same time. The alternating viewpoints kept me flipping pages long past my bedtime, and the peace-offering plot twist genuinely caught me off guard.

The alternating chapters between Spurge’s haughty notes and the goblin’s sly illustrations had me flipping pages faster than a catapult launch. The tension of him spying in enemy territory while trying not to offend anyone kept me hooked to the very last page.

The goblin court politics and Spurge’s repressed panic made me laugh out loud on the train, and the cataclysm-toss setup is as absurd as it sounds. It’s a sharp, weird ride that sticks with you long after the last page.